
bySayantani Barman Experta en el extranjero
Reading Passage Question
Photography in Europe was largely guided by the notions of the picturesque, the important, and the beautiful. Americans, less convinced of the permanence of any basic social arrangements, experts on the “reality” of change, have more often made photography partisan. Pictures were taken not only to show what should be admired but to reveal what needs to be confronted and fixed up. American photography implies a less stable relation with history; and a relation to social reality that is both more hopeful and more predatory.
The hopeful side is exemplified in the use of photographs in America to awaken conscience. Lewis W. Hine was appointed staff photographer to the National Child Labor Committee, which was preparing to recommend legislation; his photographs of children working in mills in the 1910s helped make child labor illegal. In the case of Roy Stryker’s Farm Security Administration project, the camera was a way of “learning” about the rural poor, so the New Deal bureaucrats could figure out how to help them. But even at its most moralistic, documentary photography was always imperious in another sense. Both detached traveler’s report and the more forthright angry muckraking reflect the urge to appropriate an exotic reality. And no reality is allowed the right to resist appropriation, whether it is scandalous or beautiful or picturesque.
The predatory side of photography is at the heart of the alliance between photography and tourism. The case of the American Indians is the most brutal. Discreet, serious amateurs had been operating since the end of the Civil War; the opening wedge of an army of tourists eager for “a goal shot” of Indian life. The tourists invaded the Indians’ privacy, photographing sacred dances and places, paying the Indians to pose, and making them so self-conscious that they revised their ceremonies.
But native ceremonies that are changed by the tourists are not so different from a city scandal that is corrected because someone photographs it. In so far as the muckrakers got results, they too altered what they photographed; indeed, photographing reality was one way of altering it.
“Photography in Europe was largely guided by the notions of the picturesque”- is a comprehension passage with answers. Candidates need a strong knowledge of English GMAT reading comprehension. This GMAT Reading Comprehension consists of 4 comprehension questions. The GMAT Reading Comprehension questions are designed for the purpose of testing candidates’ abilities in understanding, analyzing, and applying information or concepts. Candidates can actively prepare with the help of GMAT Reading Comprehension Practice Questions.
Solution and Explanation
- Which of the following sentences would most likely follow the last sentence of the passage?
A) The photographic image is only superficially realistic and depends for its effect mainly on formal relations of light and shade.
B) The photographer’s primary motive is impatience for change; his stock-in-trade is the temporary moment.
C) Photography is inimical to history, because the eye is inimical to the understanding mind.
D) A photograph cannot truly depict the object whose image it catches.
E) The photographer both loots and preserves, denounces and consecrates.
Answer: E
Explanation: This option is correct. The sentence to end the passage should be the one that implies that photography could be both boon and bane, it depends on how it's used. On one hand it can cause changes in native rituals. On the other, it can also help awaken social conscience by revealing some of the worst scandals in the most apt way. Option E is correct.
- The passage is primarily concerned with
A) the influence of European photographers on American photographers
B) the difference between European and American photography
C) the use of photography to influence legislation
D) attitudes implicit in American photography
E) evidence provided by photography of the existence of poverty
Answer: D
Explanation: This option is correct. The passage talks about American photography and its less stable relation with history. It also exposes the predatory side of photography and the heart of the alliance between photography and tourism. Option D is correct.
- Which of the following best expresses the meaning of “imperious” in the highlighted text?
A) Righteous
B) Objective
C) Exclusive
D) Royal
E) Arrogant
Answer: E
Explanation: This option is correct. According to the author, photography was used to highlight important issues, so that they could be resolved. It did reflect an urge to publicize scandalous realities, which in turn implies, that we are looking for a word which is not similar in sentiment to moralistic. This thus reduces our options to just arrogant. Option E is correct.
- It can be inferred that the author calls photography predatory because it
A) changes the reality that the photographer studies
B) exposes the inner secrets of its subjects
C) attempts to create beautiful images to enrich the human environment
D) reduces its subjects to their momentary appearance
E) distorts the natural environment on which the photographer depends
Answer: A
Explanation: This option is correct. According to the passage, "The predatory side of photography is at the heart of the alliance between photography and tourism. ..............The tourists invaded the Indians’ privacy, …….. self-conscious that they revised their ceremonies." So, Option A is correct.
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