BA Music is an undergraduate program for 3 years duration which focus on the comprehensive study of music and its classifications. It is the study of different musical instruments that produce distinct sounds.
The BA Music core subjects involved in this curriculum are the Evolution of music, Introduction to Electronic and Computer Music, Analysis of Tonal Music, Introduction to Indian music, and Musicology.
See Also: How To Become A Singer?
After BA Music graduates have a good scope in companies like Universal Music Group
Sony Music Entertainment, EMI, Warner Music Group, BMG, Independent labels combined and more others.
Table of Contents
BA Music Course Details
| Course Name | BA Music |
| Course Level | Undergraduate |
| Duration | 3 years |
| Admission Process | Merit-Based/ Entrance Exam |
| Top Entrance Exam | BHU Performing Arts Entrance Exam, Bangalore University Entrance Exam, Annamalai University Entrance Exam, Indian Institute of Fine Arts Entrance Exam. |
| Eligibility | Passed Class 12 from a recognized board |
| Top Colleges | Miranda House, New Delhi; Ramjas College, New Delhi; IP College for Women, New Delhi; Calicut University, Calicut; BVDU, Pune; and Kanoria PG Mahila Mahavidyalaya |
| Average Fees | INR 2,000 to INR 5, 00,000 per annum |
BA Music Syllabus
| Semester I | Semester II |
|---|---|
| Prose and Non-detailed texts | Grammar, Translation, and General Essay |
| English language for Communication | English Communication-2 |
| Theory of Indian Music | Musical Forms |
| Elements of sociology | Vocal Practical |
| - | Music and Film |
| - | Personality Development |
| Semester III | Semester IV |
| Ancient and Modern Poetry | Introduction to Functional Hindi and Journalism |
| English Communication-3 | English Communication-4 |
| Basics of Computer Applications in Music | Introduction to Indian music |
| Musicology | Instrument practice |
| Vocal Practical | History and Music |
| Music and Film | Professional Elective |
| Semester V | Semester VI |
| Compositions of different Eminent Composers Practica | Practical-2 Stage performance |
| Life & Contribution of Musicians and Musicologists | Introduction to Electronic and Computer Music |
| Conducting | Conducting |
| Analysis of Tonal Music | Musical Instruments |
| The Music of India | The Evolution of music |
| Practical -1 Stage performance | Analysis of Twentieth-Century Music |
| Applied Music | Music Composition and Arranging |
| Music Composition and Arranging | - |
BA Music Subjects
- Theory of Indian Music: Indian classical music has two foundational elements, raga and tala. The raga, based on a repertoire of Swara, forms the melodic structure, while the tala measures the time cycle. See Also: Music Theory Courses
- Music and Film: Music in the film serves various functions. It brings out emotional responses, creates a rhythm to scenes and segments, and comments on the action.
- Basics of Computer Applications in Music: The computer is used as a tool to provide output in the form of an alphanumeric representation of standard music notation or the actual printing of that notation.
- Analysis of Tonal Music: Analysis of Tonal Music is a Schenkerian Perspective that features bite-sized chapters that help in recognizing Schenkerian concepts in music and show them in analyses.
- Musical Instruments: A musical instrument is a device created to make musical sounds. An object that produces sound can be considered a musical.
See Also:
BA Music Syllabus in Calcutta University
BA Music Syllabus in Calcutta University is mentioned below
| Semester I | Semester II |
|---|---|
| General Theory | Life and contribution of PanditV.N.Bhatkande and PanditV.D.Paluskar |
| Practical | Notation of compositions in prescribed ragas |
| Two major systems of Indian Music: Hindustani and Carnatic | Theoretical knowledge of prescribed ragas. |
| General study on Classical, Semi Classical and Light music. | Practical |
| Pitch, Vibration,Intensity, Timbre,Quality, Equal tempered scale,Major& Minor scale | Brief history of Indian Music- Ancient Period, Medieval period and Modern period |
| Semester III | Semester IV |
| Historical Study of the Musical Terms | Study on Karnatic Music |
| Prescribed Ragas: Brindavani-Sarang, Kedar, Bhairavi | Musical forms of KarnatakMusic :Kriti, Pallavi, Tillana, Varnam, Padam, Javali. |
| Distributions of 7 suddhaswaras in 22 Shruties(Ancient, Medieval and Modern period) | Life and contribution of Karnatak Musicians Trinity-Tyagaraja, Muthuswamy Dikshitar, ShyamaSastri |
| Sarana- chatustaya | Comparitive study between Hindustani and Karnatic music |
| Derivation 72Melas and 32 Thaats from 12 Swaras | Prescribed Ragas: AhirBhairav, Ramkali |
| Prescribed Ragas: Purvi, Hamir, Durga | Contribution of the following: Bharat, Matang, Abhinavagupta, Sharang Dev. |
| Origin and evolution of Dhrupad and its vanis | Gharana- Jaipur, Patiyala |
| Origin and evolution of Khayal | Prescribed Ragas: Goud-sarang, Bhimpalasi |
| Gharana- Gwalior, Agra and Kirana | Life Sketch and Contributions of the following: Amir Khusro , Raja MansinghTomar , Swami Haridas, Tansen , Sadarang, Adarang, |
| Prescribed Ragas: Todi, Patdeep | SangeetShastra- Swaramelakalanidhi, Rag-tarangini, SangeetDarpan, ChaturdandiPrakashika |
| Semester V | Semester VI |
| Vedic Music: Sama and Stobhaksharas, the notes of Vedic music, Gramgeya gana, Aranyageyagana, Poorvarchicka, Uttararchicka, Udatta, Anudatta, Swarita | Raga- Ragini system of Raga classification |
| Vedic and Loukik scales, Panchvidha&Saptavidhasama | Sudha- Chhayalog- Sankirna Raga |
| Vedic instruments | Theoretical knowledge of prescribed ragas |
| Prescribed Ragas: Kamod, Puriya-Kalyan | Prescribed Ragas: Jaijawanti, DarwariKanada |
| Definition and scope of Musical Acoustics | Thaat-Raga Classification |
| Sound waves and their characteristics | Time theory of Raga |
| Theory of auditory perception | Prescribed Ragas: Yaman, Kedar, Kamod ,Hamir, Ramkali, AhirBhairav |
| Structure and function of human vocal organ and human ear | - |
BA Music syllabus UGC
| Semester I | Semester II |
|---|---|
| Theory: General Theory | Theory: Theory of Indian Music |
| Practical : Stage | Practical : Stage Performance & Viva-Voce |
| Performance & Viva-Voce | Environmental Science/(English/MIL Communication) |
| English/MIL Communication)/ Environmental Science | GE-2 |
| GE-1 | - |
| Semester III | Semester IV |
| Historical Study of the Musical Terms | Life & Contribution of Musicians and Musicologists |
| Practical: Stage Performance | Practical: Stage Performance |
| Practical: Viva Voce | Practical: Viva Voce |
| SEC-1 | SEC-2 |
| GE-3 | GE-4 |
| Semester V | Semester VI |
| History of Indian Music | Applied Theory |
| Practical: Stage Performance | Practical: Stage Performance |
| Practical: Viva Voce | Practical: Viva Voce |
| *DSE-1 Vocal/Instrument al/Karnatak/Percu ssion Music: (Tabla/Pakhawaj) *DSE-2 Vocal/Instrument al/Karnatak/Percu ssion Music: (Tabla/Pakhawaj) |
*DSE-3 Vocal/Instrument al/Karnatak/Percu ssion Music: (Tabla/Pakhawaj) *DSE -4 Project Work: Vocal/Instrument al/Karnatak/Percu ssion Music |
BA Music Syllabus MJPRU
BA Music Syllabus MJPRU is mentioned below:
| Semester I | Semester II |
|---|---|
| Introduction to Indian Music | History of Indian Music |
| Critical study of Ragas and Taals | Critical study of Ragas and Taals |
| Semester III | Semester IV |
| Contribution of Ancient, Medieval and Modern Scholars to Indian Music | Notation System, Scales and Time Signature |
| Critical study of Ragas and Taals | Critical study of Ragas and Taals |
| Semester V | Semester VI |
| Study of Western Music and Style of Indian Music | Study of Gharana, Ravindra Sangeet and Carnatic Music |
| Critical Study of Ragas and Taals | Critical Study of Ragas and Taals |
| Stage Performance of prescribed Ragas and Taals | Stage Performance of prescribed Ragas and Taals. |
| Study of Regional Folk Music and Report Writing | Report Writing on Reputed Artist of Indian Classical Music |
BA Music Syllabus in Delhi University
BA Music Syllabus in Delhi University is mentioned below
| Semester I | Semester II |
|---|---|
| Theory: General Theory | Theory: Theory of Indian Music |
| Practical : Stage | Practical : Stage Performance & Viva-Voce |
| Performance & Viva-Voce | Environmental Science/(English/MIL Communication) |
| English/MIL Communication)/ Environmental Science | GE-2 |
| GE-1 | - |
| Semester III | Semester IV |
| Historical Study of the Musical Terms | Life & Contribution of Musicians and Musicologists |
| Practical: Stage Performance | Practical: Stage Performance |
| Practical: Viva Voce | Practical: Viva Voce |
| SEC-1 | SEC-2 |
| GE-3 | GE-4 |
| Semester V | Semester VI |
| History of Indian Music | Applied Theory |
| Practical: Stage Performance | Practical: Stage Performance |
| Practical: Viva Voce | Practical: Viva Voce |
| *DSE-1 Vocal/Instrument al/Karnatak/Percu ssion Music: (Tabla/Pakhawaj) *DSE-2 Vocal/Instrument al/Karnatak/Percu ssion Music: (Tabla/Pakhawaj) |
*DSE-3 Vocal/Instrument al/Karnatak/Percu ssion Music: (Tabla/Pakhawaj) *DSE -4 Project Work: Vocal/Instrument al/Karnatak/Percu ssion Music |
BA Music Top Colleges
BA Music Top Colleges are mentioned below along with fees. See Also: BA Music Top Colleges
| Name of the College | Average Annual Fee |
|---|---|
| Miranda House, New Delhi | INR 12,160 |
| Ramjas College, New Delhi | INR 9,712 |
| IP College for Women, New Delhi | INR 6,663 |
| Calicut University, Calicut | INR 1,127 |
| BVDU, Pune | INR 16,000 |
| Kanoria PG Mahila Mahavidyalaya | INR 3,667 |
| Ranchi University, Ranchi | INR 2,370 |
| Atal Bihari Vajpayee Hindi Vishwavidyalaya (ABVHV) | INR 7,633 |
| Mahatma Gandhi Kashi Vidyapith (MGKVP) | INR 2,055 |
BA Music Books
| Name of the Book | Author |
|---|---|
| South Indian music Vol. &VI | Prof. P. Sambamoorthy |
| Splendors of music | K.T. Chelladurai |
| Musical Instruments of India | B.Chaitanya Deva Munshiram Manohar Lal |
| Historical development of Indian music | Swami Prajnanananda |
BA Music Syllabus: FAQs
Ques. What is BA Music?
Ans. The BA Music syllabus is a three year undergraduate course with six semesters. It is designed with the objective of providing knowledge on Music and its classifications.
Ques. What is the eligibility criteria for admission to BA Music programme?
Ans. The minimum BA Music eligibility criteria is that the students should pass 10+2 secondary and higher secondary school with an aggregate of 50% of marks from a recognized board.
Ques. What courses can be done after completion of BA Music?
Ans. Courses that can be done after completion of BA Music:
- MA In Music
- Diploma In Music
- M.Phil
Ques. Is it worth doing BA Music?
Ans. Yes, BA Music Vocal is an helpful course that provides comprehensive job options in various fields of music theory, music interpretation, history of music, composing, voice instruction, etc.
Ques. What is core subjects of BA Music?
Ans. Core subjects of BA Music:
- Analysis of Tonal Music
- Music Composition and Arranging
- Applied Music
- The Evolution of music
- History and Music
- Musicology
Ques. What are the top colleges for BA Music?
Ans. Miranda House, New Delhi; Ramjas College, New Delhi; IP College for Women, New Delhi; Calicut University, Calicut; BVDU, Pune; and Kanoria PG Mahila Mahavidyalaya are the top colleges for BA Music.
Ques. What are the job options after BA Music?
Ans. The job options after BA Music:
- Artist & Repertoire Person.
- Band Leader.
- Composer/Arranger.
- Concert Promoter.
- Disc Jockey.
Ques. What is the average salary of BA Music graduate?
Ans. BA Music graduate salary in India is around INR 3-10 LPA.
Ques. What are the entrance exams for BA Music?
Ans. BHU Performing Arts Entrance Exam, Bangalore University Entrance Exam, Annamalai University Entrance Exam, Indian Institute of Fine Arts Entrance Exam are the entrance exams for BA Music.
Ques. What are the project topics of BA Music?
Ans. The project topics of BA Music:
- The Role Of Music In Child Development
- The Influence Of Hip Hop Music On The Lifestyle Of Secondary School Students In Uyo Musicality.
- The Influence Of Foreign Music On Lifestyle Of Nigeria Youths.
- Construction Of A Wireless Bass Guitar.
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